In writer/director Jordan Peele presents us with a big, shiny summer blockbuster — a cowboys and aliens riff built from the DNA of sci-fi spectacles of yore — and then proceeds to vivisect the very notion of a summer blockbuster before our eyes. He wants us to question the nature of image-making, and he starts at the beginning of film history, with photographer Eadweard Muybridge. In 1878, Muybridge crafted the first known example of the “moving pictures”: a two-second clip called “The Horse in Motion,” made up of sequential photographs of a jockey riding a race horse.That the jockey on the...…In writer/director Jordan Peele presents us with a big, shiny summer blockbuster — a cowboys and aliens riff built from the DNA of sci-fi spectacles of yore — and then proceeds to vivisect the very notion of a summer blockbuster before our eyes. He wants us to question the nature of image-making, and he starts at the beginning of film history, with photographer Eadweard Muybridge. In 1878, Muybridge crafted the first known example of the “moving pictures”: a two-second clip called “The Horse in Motion,” made up of sequential photographs of a jockey riding a race horse.That the jockey on the...WW…