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Blake Morrison · It’s not me who’s seeing: Jon Fosse’s Methods · LRB 5 January 2023
AcceptCloseMore search OptionsBrowse by SubjectVol. 45 No. 1 · 5 January 2023Show MoreShow MoreShow More doesn’t use sentences, or prefers not to end them. When you open Septology, with its smallish print and narrow margins, it can feel like a death sentence – all the more so since the book, much possessed with death, runs to more than eight hundred pages. There are no paragraphs or full stops here. Fosse has called the writing ‘slow prose’ and it lingers on moments – hours even – when nothing much happens, as the main character, Asle, sits gazing at the fjord beyond the window or at the...…AcceptCloseMore search OptionsBrowse by SubjectVol. 45 No. 1 · 5 January 2023Show MoreShow MoreShow More doesn’t use sentences, or prefers not to end them. When you open Septology, with its smallish print and narrow margins, it can feel like a death sentence – all the more so since the book, much possessed with death, runs to more than eight hundred pages. There are no paragraphs or full stops here. Fosse has called the writing ‘slow prose’ and it lingers on moments – hours even – when nothing much happens, as the main character, Asle, sits gazing at the fjord beyond the window or at the...WW…
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