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Reviews - Mixonline

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HomeReviewsReviewsBy Mike Levine ⋅Our reviewer puts Neumann's first audio interface to the test and finds it is a Tour de Force -- find out why!BlogBy Clive Young ⋅We built the new Sennheiser Lego microphone kit so you don’t have to…but you’ll want to.ReviewsBy Barry Rudolph ⋅We dive deep into the new Trident Audio Developments Series 80B 500 Pre-amp, now available as a 500 Series module.ReviewsBy Steve La Cerra ⋅'Sound Reinforcement for Audio Engineers' is a deep dive into the workings of current state-of-the-art sound reinforcement systems.ReviewsBy Barry Rudolph ⋅Find out why our review team regards SuperPlate Reverb as "highly recommended" in this Real-World Review.Plug-insBy Rich Tozzoli ⋅When our reviewers headed to the USVI for some recording, they brought along Liquidsonics' Seventh Heaven Reverb to try out.ReviewsBy Bruce MacPherson ⋅Our review team had to pack light when it brought gear to the USVI to record with—like Cherry Audio's GX-80 and Mercury 6.ReviewsBy Bruce MacPherson ⋅Recording in the US Virgin Islands, our review team put Roland's JX-08 Sound Module/Interface to the test.MonitorsBy Rich Tozzoli ⋅To test a pair of Sony MDR-MV1 Studio Monitor Headphones, we took them far, far afield...and then started recording.ReviewsBy Rob Tavaglione ⋅Some may find it more useful than others, but the Lalal.ai web-based ‘un-mixing’ stem-splitting service keeps getting better—here's why.New ProductsBy Clive Young ⋅A full-fledged Real-World Review is on the way, but in the meantime, here's our hot take on the new UE Premier IEMs.ReviewsBy Clive Young ⋅JBL Professional’s EON ONE all-in-one rechargeable column speaker got an update and we put it through the paces.ReviewsBy Mike Levine ⋅Mix reviewer Mike Levine dives into the diminutive new PreSonus AudioBox Go audio interface.Outboard-GearBy Rich Tozzoli ⋅TV composer Rich Tozzoli put Avid's new MBox Studio and 8-channel Carbon Pre to the test and discovered they "kicked ass."ReviewsBy Mike Levine ⋅Reviewer Mike Levine dives into Universal Audio's new Dream '65 Reverb Amplifier pedal and comes away thoroughly impressed.New ProductsBy Mike Levine ⋅If you want to collaborate online with other musicians and have the option of recording your performances or jams, the FarPlay application offers an...New ProductsBy Clive Young ⋅The new Beatles 'Revolver' box set explores how the band began to turn the recording studio into an instrument for the first time.ReviewsBy Mike Levine ⋅Musicians have always wanted to play together over the web, but the solutions usually disappoint. Can Elk Live make it happen? Reviewer Mike Levine...ReviewsBy Steve La Cerra ⋅Veteran live sound pro Steve La Cerra puts ASI Audio's unique 3DME BT G2 Active Ambient In-Ear Monitoring System to the test in this...Live GearBy Steve La Cerra ⋅In Part 2 of our review, we discover what happens when binaural mixes created with L-ISA Studio are transferred to an immersive playback system...Live GearBy Steve La Cerra ⋅Veteran live sound pro Steve La Cerra dives into L-Acoustics' L-ISA Studio 2.4 software to create an immersive sound experience.ReviewsBy Barry Rudolph ⋅Reviewer Barry Rudolph puts GIK Acoustics' Sound Blocks to the test in his own facility and finds the effort was worth it.ReviewsBy Rob Tavaglione ⋅Producer/engineer Rob Tavaglione pops some Flare Calmer earplugs in and gives them a post-mix session test drive.ReviewsBy Rich Tozzoli ⋅Composer/producer Rich Tozzoli checks out the Onkart Gromt Grompressor pedal in this Real-World Review.ReviewsBy Bruce MacPherson ⋅Reviewer Bruce MacPherson dives into the Roland JD-08 Sound Module while recording on location in this Real-World Review.ReviewsBy Rich Tozzoli ⋅Producer/composer Rich Tozzoli put a Line 6 HX Stomp hardware unit to the test and found it "makes a great travel rig."ReviewsBy Mix Staff ⋅Mix reviewer Mike Levine tries out Shure's new SRH840A headphones and finds "based on their build quality and performance, I would have thought they’d...ReviewsBy Steve La Cerra ⋅Live sound pro Steve La Cerra puts Mackie's Thump Go portable PA speakers to the test in this Real-World Review.ReviewsBy Mike Levine ⋅Gibson has revived its iconic Maestro brand with five all-new effects pedals; our Mike Levine puts them through the paces.ReviewsBy Rob Tavaglione ⋅Studio owner Rob Tavaglione takes on Sound Anchors' ADJ2 Speaker Stands in this Real-World Review.ReviewsBy Mike Levine ⋅Our reviewer finds the newly updated Focusrite Clarett+ 4Pre interface expands dynamic range, lowers distortion.ReviewsBy Mike Levine ⋅Trying out the PreSonus MicroStation BT, reviewer Mike Levine finds that "this little device is quite a bargain."ReviewsBy Clive Young ⋅Austrian Audio's Hi-X65 Professional Open-Back Over-Ear Headphones are designed to provide a clean, uncolored listening experience.ReviewsBy Clive Young ⋅Rode has released a number of accessories for its Rodecaster Pro podcast production studio in recent times, including the PSA1+ Professional Studio Arm, Rodecaster...ReviewsBy Barry Rudolph ⋅Our review team found the OWC Mercury Elite Pro Dual-Drive RAID simple but also essential.ReviewsBy Barry Rudolph ⋅Audio pro Barry Rudolph puts the new KRK Systems KNS 8402 headphones to the test and deems them "a smart buy."ReviewsBy Steve La Cerra ⋅Reviewer Steve La Cerra discovers that the RME Babyface Pro FS is easily capable of competing with interfaces at higher price points.ReviewsBy Barry Rudolph ⋅Audio pro Barry Rudolph puts QiJack jacks made by Analysis Plus to the test and finds they're up to the task.ReviewsBy Mike Levine ⋅If you like multitrack loop collections and well-played grooves by great musicians, you’re going to love the Graybox Sessions Volume 2 Bundle.ReviewsBy Barry Rudolph ⋅Longtime Mix reviewer Barry Rudolph put Auralex's ProPOD Acoustic Decouplers to the test...here's how it turned out.ReviewsBy Mike Levine ⋅Studio pro Mike Levine takes Hit’n’Mix RipX DeepAudio for a spin and finds it to be powerful software for editing inside a stereo mix.ReviewsBy Russ Long ⋅Producer/engineer Russ Long shares his experience with Minuendo Lossless earplugs, which use a variable passive filter that can be adjusted from 7 dB to...234567891011»Next Page »

HomeReviewsReviewsBy Mike Levine ⋅Our reviewer puts Neumann's first audio interface to the test and finds it is a Tour de Force -- find out why!BlogBy Clive Young ⋅We built the new Sennheiser Lego microphone kit so you don’t have to…but you’ll want to.ReviewsBy Barry Rudolph ⋅We dive deep into the new Trident Audio Developments Series 80B 500 Pre-amp, now available as a 500 Series module.ReviewsBy Steve La Cerra ⋅'Sound Reinforcement for Audio Engineers' is a deep dive into the workings of current state-of-the-art sound reinforcement systems.ReviewsBy Barry Rudolph ⋅Find out why our review...

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